Damianista’s note (02/15/2024): When a good friend shares this picture from Damian’s dressing room with you, you know it is time to travel back to 2009 and re-visit our guy in The Misanthrope. It is Damian’s handwriting on the mirror: I would recognize that capital “G” anywhere. And it says ““Rouse tempers, goad and lacerate, raise a whirlwind.” A little research shows that this was Kenneth Tynan’s lifelong motto, pinned above his desk at the National Theatre when he was its literary manager. ENJOY!
It was 2009 when Damian played the lead role of Alceste in Martin Crimp’s modernized version of Moliere’s 17th century comedy. After his appearance in The Misanthrope he was not seen on stage again until American Buffalo six years later. Dare we say, The Misanthrope marked a turning point for Damian, the last one where he was the nearly A-list actor playing against decidedly A-list’er Keira Knightley. NOW, of course, he is not nearly anything but a full-blown highly sought commodity on stage and screen. In this post, I’ll tell you a bit about the play, then, beg your indulgence as I wax philosophical about the extent to which the themes of the play translate to Damian’s own career trajectory.
Continue reading “Throwback Thursday to Damian Lewis in The Misanthrope”
Continuing the countdown to Damian’s return to stage next week (!) with The Goat, or Who is Sylvia?, let’s take a visit to his penultimate play, The Misanthrope. It was 2009 when Damian played the lead role of Alceste in Martin Crimp’s modernized version of Moliere’s 17th century comedy. After his appearance in The Misanthrope he was not seen on stage again until American Buffalo six years later. Dare we say, The Misanthrope marked a turning point for Damian, the last one where he was the nearly A-list actor playing against decidedly A-list’er Keira Knightley. NOW, of course, he is not nearly anything but a full-blown highly sought commodity on stage and screen. In this post, I’ll tell you a bit about the play, then, beg your indulgence as I wax philosophical about the extent to which the themes of the play translate to Damian’s own career trajectory.