Wolf Hall is one of the best things that has ever happened to TV. And, as much as it fascinates us with its wonderful writing, directing and acting, it also mesmerizes us with its visuals, lighting, set designs and particularly, in my case, the costumes! I am in awe of the fabrics and designs, but also the research the costume team did to create the most authentic dresses possible for the production.
I heard this wonderful interview with theWolf Hall costume designer Joanna Eatwell the other day where she shares her 30 years of experience in costume design and talks about her work in Wolf Hall. Continue reading “Play Dress Up with Henry!”
Once he sees Wolsey is not able to fix a new wife for him… Henry never sees him again.
Once he realizes Katherine will not let him go, Henry leaves one morning without a good-bye, and never sees her again.
Once he takes back the chain of office from Thomas More as he resigns from his post as the Lord Chancellor in a protest against “new bills”… Henry never sees him again.
I have constantly been writing about Wolf Hall for several weeks now — about all aspects of it that have fascinated me… And, I have kept one that TOPS it all for me until now…
That is the TIMELESSNESS of Wolf Hall.
Hilary Mantel’s writing and Peter Straughan’s wonderfully condensed script open a beautiful window to the intrigue and manipulation in the court of Henry VIII in the 16th century. Wolf Hall is such a dark, political animal that it is inevitable to chew on a little bit about its politics. Besides, both the book and the drama help us understand history through a contemporary perspective, and does it through its politics and in particular, through the contemporary conversations its characters have all the time. Continue reading “Wolf Hall is TIMELESS”