A Night at the Theater with Damian Lewis: American Buffalo, Act I

“All that I’m saying, don’t confuse business with pleasure.” 
– Walter “Teach” Cole
source: broadwayworld.com
source: broadwayworld.com

Advance Warning: A sign at the entrance of Wyndham’s theatre warns the audience about explicit language in American Buffalo. I would love to imitate that and warn you all, for the sake of giving a detailed review of the play, I choose to use some of that explicit language in my blog post. So, please read at your own risk – thank you!

What would you do if you had a conference in Paris, and your most favorite actor is doing a play in London, and you have never seen him on stage before that you are dying to do so, and of course, London is only a two and a half hour train ride from Paris? Yeah, you would do what I did and book tickets for… American Buffalo!

Hurrah!

So… I was extremely lucky to see American Buffalo last week, a pure acting feast provided by the ridiculously talented trio of Damian Lewis, John Goodman and Tom Sturridge.

I know that only a limited number of fans have the opportunity to see the play, so I will try my best here to give you all a detailed account of the play highlighting the fantastic performance of Damian Lewis as Walter “Teach” Cole. Continue reading “A Night at the Theater with Damian Lewis: American Buffalo, Act I”

Desert Island Discs with LilMisfit

Music has always been an important component of my life. My mother sings in a choir, my brother plays saxophone, and I used to play flute. Not incredibly well, but still.

We’d always listen to the radio and blare my parents albums in the car when I was growing up. While my parents had diverse, all around great taste in music, it wasn’t until I owned my first CD player and later on my first iPod, that I really developed an appreciation for music. Listening to what I wanted, blaring my favorite songs on my headphones (at way too high a volume). I’d listen to discs and playlists on the bus to and from school and I’d be transported. Continue reading “Desert Island Discs with LilMisfit”

Trivia Tuesday: Big Brother is Everywhere

Did you know that Damian Lewis starred in the “London Underground” photo exhibition by the brilliant Singaporean photographer Yangchen Lin in 2013?

Hello, Brody!

copyright: Yangchen Lin
Covent Garden Station, Piccadily Line, copyright: Yangchen Lin

The photograph is called Big Brother is Everywhere. Starring Damian Lewis.

How cool is that?

The exhibition was organized as part of the 150th birthday celebrations for the London Underground.

You can find more information about the artist Yangchen Lin here and the London Underground Photo exhibition here.

Wolf Hall is Timeless

source: farfarawaysite.com
source: farfarawaysite.com

Wolf Hall has fascinated me all over with its wonderful writing, perfect directing, incredible acting, authentic costumes and gripping score. I think The Atlantic put it into the best words possible: “With Wolf Hall, PBS finds a drama worth of the word “Masterpiece.”

Yes. Wolf Hall is a masterpiece and what TOPS it all for me is how TIMELESS it feels. And, as I am having Wolf Hall withdrawals nowadays, why not sit down and write about its timelessness?

Hilary Mantel’s writing and Peter Straughan’s wonderfully condensed script open a beautiful window to the intrigue and manipulation in the court of Henry VIII in the 16th century. Wolf Hall is such a dark, political animal that it is inevitable to chew on a little bit about its politics. Besides, both the book and the drama help us understand history through a contemporary perspective, and does it through its politics and in particular, through the contemporary conversations its characters have all the time.  Continue reading “Wolf Hall is Timeless”

Master of Prophecies, Master of Phantoms, Master of Fate

00mainThe final episode of this fantastic series starts with Anne served up on a table, appetites of all her enemies at the ready, and Cromwell at the head of the table brandishing the knife. It’s Cromwell’s vision of himself and the metaphor for what he’s about to do to the Queen. Thus the episode “Master of Phantoms” starts with the masterful Cromwell ushering us into the final movement of this riveting and memorable drama, colored in broad strokes by a pervasive sense of inevitability and doom.

The conceit with which Mantel started Cromwell’s mission within Henry’s court, that posse of gentlemen dramatizing leading beloved Worsley into hell, is now going to come to a head. That posse is going to get what’s coming to them, in a sequence of events perhaps a bit too convenient, but compelling nonetheless. Continue reading “Master of Prophecies, Master of Phantoms, Master of Fate”