Throwback Thursday to Damian Lewis in “The Goat, or Who is Sylvia?”

I wrote this post just after the closing night of The Goat, or Who is Sylvia? back in 2017 and updated it once. While it feels like yesterday, I published it more than seven  years ago — so it deserves a Throwback Thursday. ENJOY!

UPDATE 06/28/2017: I am over the moon that Damian tweeted to thank for this very post. It is not that I am expecting anything in return but his sweet gesture is everything. Thank you, Damian! Continue reading “Throwback Thursday to Damian Lewis in “The Goat, or Who is Sylvia?””

Throwback Thursday to a Lesson in Rhetoric: Damian Lewis as Antony

To be filed in the category of “This is a guy who makes you want to go back to school”, we learned and reported (on our lovely sister site damian-lewis.com) that Damian’s version of Antony’s funeral speech from Julius Caesar, for The Guardian’s video series Shakespeare Solos, was featured in a seminar on rhetoric. This wasn’t an avenue for literary criticism or drama theory, but a newsletter on effective public speaking.

How is speaking any different from writing and reading, you may wonder? Well, there are components to classical rhetoric, when dissected, can show you what makes one speech different from another. Such an analysis would reach your brain (or at least attempt to). Alternatively, we can talk about how a speech makes you feel. Granted we’re not seeing much great oratory from our current elder statesmen, so examples are few and far between. But, there was a time, wasn’t there? In our not too distant history, when a leader spoke, it did a heart good to hear, didn’t it?

Continue reading “Throwback Thursday to a Lesson in Rhetoric: Damian Lewis as Antony”

An Exclusive Fan Fun Interview with Damian Lewis

We’re twinning with our vests!

I am back from a week-long fantastic trip to the UK following Damian Lewis and his brilliant band from Stroud to Poole to Norwich to Cambridge in the second leg of his ‘Mission Creep” UK tour. I cannot wait to share with you my report from the gigs, fun backstage shenanigans, and a few surprises in the days and weeks to come.

But first…

Interviewing Damian has been a huge dream for me. In fact, I have been able to interview him a couple of times in the years past. But because they happened spontaneously, even though Damian wanted to be generous with his time, he was about to go to his next interview or his next appointment that we had to be very quick. And there were always people around. Continue reading “An Exclusive Fan Fun Interview with Damian Lewis”

Throwback Thursday to Damian Lewis in The Misanthrope

Damianista’s note (02/15/2024): When a good friend shares this picture from Damian’s dressing room with you, you know it is time to travel back to 2009 and re-visit our guy in The Misanthrope. It is Damian’s handwriting on the mirror: I would recognize that capital “G” anywhere. And it says ““Rouse tempers, goad and lacerate, raise a whirlwind.” A little research shows that this was Kenneth Tynan’s lifelong motto, pinned above his desk at the National Theatre when he was its literary manager. ENJOY!

It was 2009 when Damian played the lead role of Alceste in Martin Crimp’s modernized version of Moliere’s 17th century comedy. After his appearance in The Misanthrope he was not seen on stage again until American Buffalo six years later. Dare we say, The Misanthrope marked a turning point for Damian, the last one where he was the nearly A-list actor playing against decidedly A-list’er Keira Knightley. NOW, of course, he is not nearly anything but a full-blown highly sought commodity on stage and screen. In this post, I’ll tell you a bit about the play, then, beg your indulgence as I wax philosophical about the extent to which the themes of the play translate to Damian’s own career trajectory.

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TOP Damian Lewis Moments 2023: Noël Coward’s London Calling! – A Centenary Celebration

London Calling! was the first musical revue thanks to which Noël Coward broke through as a song and sketch writer as well as a performer. The revue premiered at Duke of York’s Theatre in London on September 4, 1922. And Robert Hazle, a cabaret actor and musical director as well as the Cultural Development Officer at the Noël Coward Foundation has put on stage a centenary celebration of London Calling! at the very theatre it premiered hundred years ago on October 5, 2023. I was very lucky to be in the room during this hour-long, free, and sold out lunchtime performance and I am ready to tell you all about it! Continue reading “TOP Damian Lewis Moments 2023: Noël Coward’s London Calling! – A Centenary Celebration”